Posted 3 hours ago

Stressed out in very crowded social setting but suddenly food! Making this a little more bearable. 2 more hours to go!

Posted 4 hours ago
lynyrdsquidward:

ROLL CREDITS!!!
ROLL CREDITS!!!!!

lynyrdsquidward:

ROLL CREDITS!!!

ROLL CREDITS!!!!!

(Source: greenwithenby)

Posted 5 hours ago

mrfulbright:

professional beach hunk
two gems done two to go

Posted 6 hours ago

mrfulbright:

one down three to go
my afro-dite

Posted 7 hours ago

friendswithfangs:

the perfect family :’0

Posted 7 hours ago

halotharfroggies:

halotharfroggies:

owmylasagna:

halotharfroggies:

owmylasagna:

I haven’t posted much EEnE content in a while. I’m sorry. 

image

Ummm… have this picture of the boyfriends roleplaying EdEdd. 

omfg the way you said that.

(again favorite episode)

We all know Ed is the best RPer tho.

Nobody can RP Eddy like Ed, that is FACT. 

image

Mirror Mirror on the Ed is a gem. 

Ed is the best Eddy RPer everyone go home.

#someone should rp ed rping eddy.

RPception.

Edd RPing Ed would be the easiest one. 

GRAVY!

Posted 8 hours ago

(Source: Spotify)

Posted 8 hours ago

halotharfroggies:

owmylasagna:

I haven’t posted much EEnE content in a while. I’m sorry. 

image

Ummm… have this picture of the boyfriends roleplaying EdEdd. 

omfg the way you said that.

(again favorite episode)

We all know Ed is the best RPer tho.

Nobody can RP Eddy like Ed, that is FACT. 

Mirror Mirror on the Ed is a gem. 

Posted 8 hours ago

medievalpoc:

Contemporary Art Week!

Kehinde Wiley

Los Angeles native and New York-based visual artist Kehinde Wiley has firmly situated himself within art history’s portrait painting tradition. As a contemporary descendent of a long line of portraitists—including Reynolds, Gainsborough, Titian, Ingres, and others—Wiley engages the signs and visual rhetoric of the heroic, powerful, majestic, and sublime in his representation of urban black and brown men found throughout the world.

By applying the visual vocabulary and conventions of glorification, wealth, prestige, and history to subject matter drawn from the urban fabric, Wiley makes his subjects and their stylistic references juxtaposed inversions of each other, forcing ambiguity and provocative perplexity to pervade his imagery. Wiley’s larger-than-life figures disturb and interrupt tropes of portrait painting, often blurring the boundaries between traditional and contemporary modes of representation and the critical portrayal of masculinity and physicality as it pertains to the view of black and brown young men.

-skny.com

1. Down With a Bullet, 2011., 2. Femme Piquee par un Serpent, 2008, oil on canvas. 3. Matador, 2009. Oil on paper 57.5” x 134.5”., 4. Sleep, 2008. Oil on canvas 132” x 300”.

Posted 9 hours ago

I haven’t posted much EEnE content in a while. I’m sorry. 

Ummm… have this picture of the boyfriends roleplaying EdEdd.